Making an indie film is murder under the best of circumstances, but first-time director Eddie Vassick's scenario is chaotic. Halfway through filming his main investor croaks. He has to tangle with the investor's widow who not only demands a plum role in the film when she's never acted a day in her life, but sells the film's rights to none other than Eddie's domineering older brother Warren. Warren is a B-movie mogul, king of commercial flicks, who has cast a shadow over Eddie his entire life. Eddie is forced to bend to Warren's will, and Warren immediately issues an impossible ultimatum, true to form. Eddie must re-shoot the entire film in costly 35mm format in four weeks time, or control of the entire project will revert to Warren. Meanwhile, Warren, who has always been secretly jealous of his little brother's inherent talents, has gotten his hands on a copy of Eddie's script and views this project as his one shot to catapult himself from the "B" leagues into the majors.

Documentary about Peeter Simm and the difficulties of creating a feature film. The Estonian weather and the unfamiliar working style of famous German actors seriously tested the abilities of director Peeter Simm when the Estonian-German feature film “Fed Up!” was filmed in the spring of 2005.

Using the example of one GITIS course, led by People's Artist of the Republic Professor Maria Osipovna Knebel, the training methods for future theatre directors are demonstrated.

A look at the development of film making and its contribution to the social and political times form the perspective of Black film makers.

焦躁、对抗、爱与痛，爆发在家人相逢中，或许，只有完成了对亲人的分离与接纳，对自己、对家人、对他人，一个人才能更自在的爱与被爱。

"Big" Eddie Smith was the new owner of New York's Big E Sports Arena. Smith was also an ex-gambler who was trying not to get sucked back into the racket, while dealing with the various crazies and eccentrics that crossed his path. He lived with his ex-stripper wife Honey and their granddaughter Ginger.

Keen Eddie is an American action, comedy-drama television series that aired in 2003 on the Fox Network. The series follows a brash NYPD detective who goes to London when one of his cases goes sour and remains to work with New Scotland Yard. The basic premise of the show bears a close resemblance to the popular 1980s British series Dempsey & Makepeace, the only notable difference being that the female partner has been replaced by a female housemate. Stylistically, the series derived inspiration from British feature films by Guy Ritchie, such as Lock, Stock and Two Smoking Barrels and Snatch. The soundtrack and incidental music for the first episode was provided by British techno duo Orbital. Daniel Ash of Love and Rockets scored the rest of the series.

At the age of 18, stunt cyclist Eddie Kidd had already broken world records, been a stunt double for Harrison Ford and released a couple of singles. Yet this profile piece for the COI cinemagazine series “This Week in Britain” offers glimpses that his high life had both its ups and downs. A record-breaking jump of 24 cars was to be the big attraction of a May bank holiday at the National Motor Museum in Beaulieu but torrential rain scuppered plans. Kidd returned on the 4th June for a second attempt but with a shoulder injury that you see aggravated here, which prevented a planned second jump and again disappointed audiences. The person tasked with turning all these travails into a light-hearted snippet for overseas audiences was Peter Greenaway, who edited hundreds of stories like this before making arthouse feature hits such as The Draughtman’s Contract (1982).

A desperate homeless couple commit a self-defense homicide, leaving them and their child fugitives in pursuit of safe harbor.

"Eyeball Eddie" is the story of the stormy relationship between a prosthetic glass eye and the insecure boy stuck behind it. What follows is a dark comedy about the price of popularity. In the world of high-school wrestling, there is only the strong and the weak.